Rico Nasty reunites with producer Kenny Beats on her new album RX, leading with the single "Cupcake," which features production from 100 Gecs' Dylan Brady. The collaboration marks a return to creative partnership for the Baltimore rapper and the prolific producer, who have worked together on previous projects that helped shape her aggressive, experimental sound.
"Cupcake" arrives as the first official preview of RX, continuing Nasty's trajectory toward increasingly genre-fluid production. Brady's involvement signals the project's connection to the hyperpop and avant-garde pop circles that have influenced her recent work. Kenny Beats, known for his work across hip-hop and alternative music, brings his signature maximalist approach to the album's sonic palette.
The new record follows Nasty's established pattern of collaborating with producers who push her toward sonic extremes rather than commercial safety. Her partnership with Kenny Beats has produced some of her most inventive material, balancing her sharp, rapid-fire delivery with production that challenges conventional rap structures. Dylan Brady's contribution adds another layer of experimental credibility to the project, given 100 Gecs' influence on contemporary underground and mainstream pop music.
RX represents another chapter in Nasty's ongoing evolution as an artist unafraid to blend genres and reject traditional rap formulas. The album's announcement comes at a time when her aesthetic, once considered abrasive and niche, has gained increasing cultural validation through mainstream collaborators and streaming platforms' willingness to promote experimental hip-hop.
The title RX suggests both prescription and remedy, possibly indicating thematic content addressing personal or social healing. Kenny Beats and Dylan Brady's combined production credits indicate an album that will likely favor texture and innovation over radio-friendly beats, positioning Nasty further within the experimental hip-hop sphere where her artistic identity remains strongest.