Ben Shapiro has reversed course on his criticism of the casting of Elliot Page in the forthcoming film adaptation of Homer's "The Odyssey," now calling the project a "masterpiece" in a recent review. Shapiro, the conservative media figure and Daily Wire founder, initially bristled at Page's involvement but has reconsidered after examining the film's thematic content.
In his review, Shapiro argued that the movie's broader narrative aligns with conservative values and philosophy. He explicitly encouraged viewers not to let casting decisions overshadow what he describes as an exceptional cinematic achievement. "If you let Elliot Page kill that for you, I think you're missing out on an incredible moviegoing experience," Shapiro stated, using language that frames the actor's participation as a potential distraction from the work itself.
The reversal reflects a broader tension within conservative media and audiences regarding artistic merit versus ideological objections to casting choices. Shapiro's initial resistance followed his pattern of commentary on Hollywood representation issues, but his reassessment suggests he found the film's classical themes and storytelling sufficiently compelling to override those concerns.
The adaptation represents a significant undertaking in bringing ancient epic poetry to contemporary cinema. Homer's foundational text has inspired countless interpretations across theater, literature, and film, but a major studio adaptation with Page marks a notable moment in how classical material engages with modern casting practices.
Shapiro's position reveals the complexity of navigating culture-war battles within the entertainment landscape. His willingness to separate artistic evaluation from identity politics around casting suggests recognition that dismissing work entirely based on casting alone risks missing substantive storytelling. The review indicates the film succeeds on narrative and thematic grounds that transcend the identity debates that initially surrounded its production.
